Helpful hints for touring comedians—dedicated to Steve Hall
These aren’t tears of joy—they’re tears of pain
1. Refresh your material
Yes, your material is clearly the funniest thing known to man, and it bears repeating to everyone on the face of the planet, including undiscovered tribes in the deepest, darkest reaches of the jungle. But here’s the thing: when I’ve already paid to see you live last year, in an entirely different tour, and you come on stage, mentioning that you were part of the last tour and are lucky enough to be included in this one, it’s probably best to actually have something new to say.
This might surprise you, but while repeats are bad enough on television, they’re far more annoying than a billion Janet Street Porters when you’ve paid 20 quid per ticket to watch a word-for-word regurgitation of a year-old act.
2. Adapt your material with care
I know I’m probably being ungrateful here, and that you should in fact be able to go on stage, play a tape recording of your act, and just read the paper and drink beer in front of me, but what I’d actually like to see is something unique and original. When you clearly have in your canned script ‘insert current location here’, it makes me want to insert something into you, like a really sharp stick into a nervous-looking eye.
To take an example—entirely at random, obviously—if a certain support act were to happen upon an Aldershot venue and try to do jokes about the town, don’t fire off the exact same jokes with the same generic information that you used a year ago when doing the exact same act in a totally different venue a number of miles away. It just makes you look like a lazy git—and, frankly, if you can’t come up with some new material for a 25-minute support act during an entire year, I think those dreams of playing Wembley Arena should be shot to pieces right now.
3. Refresh your material
Yes, your material is clearly the funniest thing known to man, and it bears repeating to everyone on the face of the planet, including undiscovered tribes in the deepest, darkest reaches of the jungle. But here’s the thing: when I’ve already paid to see you live last year, in an entirely different tour, and you come on stage, mentioning that you were part of the last tour and are lucky enough to be included in this one, it’s probably best to actually have something new to say.
This might surprise you, but while repeats are bad enough on television, they’re far more annoying than a billion Janet Street Porters when you’ve paid 20 quid per ticket to watch a word-for-word regurgitation of a year-old act.
Saw Paddy McGuinness live last night, and while it was a short show (just over the hour) I was in physical pain from laughter. The best bit of the night was actually his rant about the problems of touring (and in particular the telephone interviews with local newspapers).
We’ve had a couple of shows like that, notably Ross Noble and Bill Bailey. Noble’s king of the refresh, though—it’s pretty clear he makes up most of his material as he goes along.