Articulate argument from Tim Anderson on why 24-bit will not fix computer audio and why 16-bit is fine:

[What] are the limitations of 16/44 audio? We can be precise about this. Nyquist’s Theorem says that the 44,100 Hz sampling rate is enough to perfectly recapture a band-limited audio signal where the highest frequency is 22,500 Hz. Human hearing may extends [sic] to 20,000 Hz in ideal conditions, but few can hear much above 18,000 Hz and this diminishes with age.

In fact, despite the claims of audiophiles, most people cannot tell the difference between studio-quality output and an MP3 file, especially given that output is usually sub-optimal (car stereos, crappy headphones, TV speakers, and so on). And given that music is distorted beyond belief in all commercial recordings these days (to make everything sound ‘loud’, audio is compressed and peaks are clipped, wrecking dynamic range), upping the audio from 16- to 24-bits won’t make the slightest bit of difference in the vast majority of cases, even if you have high-end kit.

To my mind, as long as sources are offering ‘high enough’ quality lossy files (256–320 kbps AAC or MP3), that’s enough. Any move to 24-bit will just be corporate PR wankery—a pissing match that aims to snare users who think higher numbers are better. And I bet you’d get charged more for the privilege.

Charlie Brooker in The Guardian:

Here’s a familiar, mundane scenario: you’ve got an iPhone with loads of music on it. And you’ve got a laptop with a new album on it. You want to put the new album on your phone. But you can’t hook them up and simply drag-and-drop the files like you could with, ooh, almost any other device. Instead, Apple insists you go through iTunes.

This is a pretty common argument against iTunes, but one I’ve never fully understood. Yes, iTunes is sluggish and a pain in the arse sometimes, and, yes, Apple could do more to detach its iThings from the desktop using some kind of wireless sync (rumoured in an upcoming iOS update), but drag and drop? Really?

The thing is, music management is one of the few things iTunes remains really good at. When you rip a CD, it helpfully organises everything and shoves the digital files in a logical location (something you can stop it doing, if you’re, for some reason, turned on by the prospect of dragging folders around your OS’s file system). If you’ve a large collection, it’s easy to search, and you can rapidly create smart playlists, based on complex criteria (or, if you want more control and have loads of time to waste, you can revert to drag and drop, to standard playlists). These days, I use a combination of playlists to determine which music ends up on my devices, because it’s quicker and more efficient to do so when there’s 90 GB of music lurking on my Mac.

Without iTunes, I’d rarely—if ever—bother to update the music on my devices, because it’d be too much hassle. And without playlists that block recently played tracks, I’d likely end up playing the same old stuff all the time, rather than continually rediscovering old favourites.

So, yeah, iTunes is mostly a bit crap, and it could make things a whole lot easier in many ways, but it’s still a great means of managing your music and the music you shove on to your iThings.

It looks like Sony Computer Entertainment’s Michael Ephraim got smacked by the WHAT WERE YOU THINKING? stick after his recent comments on iTunes. If clicking the previous link’s a bit much effort, he said:

If we do [get mass take up] then does Sony Music need to provide content to iTunes?

Currently we do. We have to provide it to iTunes as that’s the format right now.

Publishers are being held to ransom by Apple and they are looking for other delivery systems, and we are waiting to see what the next three to five years will hold.

Because tech writers are stupid, we all assumed this meant Sony was considering punching iTunes in the face, if Sony somehow managed to not make a total mess of its own digital music offering. (Recent history suggests not betting the farm on that eventuality.)

Business Insider now reports that Sony Network Entertainment COO Brandon Layden has a rather different take:

Sony Music as I understand it has no intention of withdrawing from iTunes, they’re one of our biggest partners in the digital domain. I think those words were either taken out of context or the person who spoke them was unclear on the circumstances.

*sniff sniff* Hmm. Smells of backtrack.

Under the link-bait title War looms as Sony hints that it will abandon iTunes, The Age interviews chief executive officer of Sony Computer Entertainment, Michael Ephraim, who actually hints (a bit) that Sony might (rather than will) abandon iTunes.

On Sony’s Music Unlimited, he says:

If we do [get mass take up] then does Sony Music need to provide content to iTunes?

Bwuh? Because, obviously, the most sensible thing to do is make it so you can only get Sony music from a Sony shop on Sony devices. I foresee no problems here, and it won’t at all have Sony artists spitting fury about the company having removed their music from the biggest online music merchant.

Currently we do. We have to provide it to iTunes as that’s the format right now.

The format? What? What format? Are you talking about AAC? Or do you mean “it’s a system Sony has to support”, in the same way that Sony supports, say, Amazon and Walmart?

Publishers are being held to ransom by Apple and they are looking for other delivery systems, and we are waiting to see what the next three to five years will hold.

Yes, those poor publishers. Why won’t anyone THINK OF THE PUBLISHERS? Man, Apple really are bastards, revolutionising the online music space, actually encouraging people to buy digital music (rather than nick it), and making a success of this. Poor Sony. I WILL CRY TEARS FOR YOU TONIGHT.

Trying to annoy the music industry for the billionth time, The Pirate Bay says its next major launch will be fear.themusicbay.org, according to TechRadar. An unnamed insider is quoted as follows:

The music industry can’t even imagine what we’re planning to roll out in the coming months.

For years they’ve complained bitterly about piracy, but if they ever had a reason to be scared it is now.

Roughly translated: LOOK AT THE SIZE OF OUR HUGE PENIS!

Yeah, well done, The Pirate Bay. You celebrate ‘sticking it to the man’, including the artists (who clearly don’t deserve anything for their work) and those evil indie labels (who burn millions per second with their unicorn-powered cocaine factories).

The majors need a slap, certainly, but the battle’s largely been won in music: DRM-free track-by-track sales across many sites, direct-selling from indies, and the likes of Spotify for on-demand access to as much music as you can consume. I’m not sure how the Pirate Bay’s antics will improve things; instead, they’re more likely to enforce to many the feeling that they should, for some reason, be entitled to free music and that everyone they rip off somehow had it coming.